2001, ISBN: 9780271020372

[PU: Pennsylvania State University Press], 203 p. Hardcover with dust-jacket. Good condition. -- In Romantic theories of art and literature, the notion of mimesis-defined as art's reflect… Mehr…

[PU: Pennsylvania State University Press], 203 p. Hardcover with dust-jacket. Good condition. -- In Romantic theories of art and literature, the notion of mimesis-defined as art's reflection of the external world-became introspective and self-reflexive as poets and artists sought to represent the act of creativity -- itself. Frederick Burwick seeks to elucidate this Romantic aesthetic, first by offering an understanding of key Romantic mimetic concepts and then by analyzing manifestations of the mimetic process in literary works of the period. -- Burwick explores the mimetic concepts of "art for art's sake," "Idem et Alter," and "palingenesis of mind as art" by drawing on the theories of Philo of Alexandria, Aristotle, Immanuel Kant, Friedrich Schiller, Friedrich Wilhelm Joseph von Schelling, Thomas De Quincey, and Germaine de Stael. Having established the philosophical bases of these key mimetic concepts, Burwick analyzes manifestations of mimesis in the literature of the period, including the work of Thomas Dc Quincev, mirrored images in the poems of Samuel Taylor Coleridge -- and William Wordsworth, and the twice-told -- tale in the novels of Charles Brockden Brown, E. T. A. Hoffmann, and James Hogg. Although -- artists of this period have traditionally been dismissed in discussions of mimesis, Burwick demonstrates that mimetic concepts comprised a major component of the Romantic aesthetic. (Flap text) ISBN 9780271020372, DE, [SC: 4.50], gebraucht; gut, gewerbliches Angebot, [GW: 592g], Banküberweisung, Offene Rechnung, PayPal, Internationaler Versand<

2001, ISBN: 0271020377

[EAN: 9780271020372], Gebraucht, sehr guter Zustand, [SC: 4.0], [PU: Pennsylvania State University Press], 203 p. Good condition. -- In Romantic theories of art and literature, the notion… Mehr…

[EAN: 9780271020372], Gebraucht, sehr guter Zustand, [SC: 4.0], [PU: Pennsylvania State University Press], 203 p. Good condition. -- In Romantic theories of art and literature, the notion of mimesis-defined as art's reflection of the external world-became introspective and self-reflexive as poets and artists sought to represent the act of creativity -- itself. Frederick Burwick seeks to elucidate this Romantic aesthetic, first by offering an understanding of key Romantic mimetic concepts and then by analyzing manifestations of the mimetic process in literary works of the period. -- Burwick explores the mimetic concepts of "art for art's sake," "Idem et Alter," and "palingenesis of mind as art" by drawing on the theories of Philo of Alexandria, Aristotle, Immanuel Kant, Friedrich Schiller, Friedrich Wilhelm Joseph von Schelling, Thomas De Quincey, and Germaine de Stael. Having established the philosophical bases of these key mimetic concepts, Burwick analyzes manifestations of mimesis in the literature of the period, including the work of Thomas Dc Quincev, mirrored images in the poems of Samuel Taylor Coleridge -- and William Wordsworth, and the twice-told -- tale in the novels of Charles Brockden Brown, E. T. A. Hoffmann, and James Hogg. Although -- artists of this period have traditionally been dismissed in discussions of mimesis, Burwick demonstrates that mimetic concepts comprised a major component of the Romantic aesthetic. (Flap text) ISBN 9780271020372 Sprache: Englisch Gewicht in Gramm: 592, Books<

2001, ISBN: 9780271020372

203 p. Hardcover with dust-jacket. Good condition. -- In Romantic theories of art and literature, the notion of mimesis-defined as art's reflection of the external world-became introspect… Mehr…

203 p. Hardcover with dust-jacket. Good condition. -- In Romantic theories of art and literature, the notion of mimesis-defined as art's reflection of the external world-became introspective and self-reflexive as poets and artists sought to represent the act of creativity -- itself. Frederick Burwick seeks to elucidate this Romantic aesthetic, first by offering an understanding of key Romantic mimetic concepts and then by analyzing manifestations of the mimetic process in literary works of the period. -- Burwick explores the mimetic concepts of "art for art's sake," "Idem et Alter," and "palingenesis of mind as art" by drawing on the theories of Philo of Alexandria, Aristotle, Immanuel Kant, Friedrich Schiller, Friedrich Wilhelm Joseph von Schelling, Thomas De Quincey, and Germaine de Stael. Having established the philosophical bases of these key mimetic concepts, Burwick analyzes manifestations of mimesis in the literature of the period, including the work of Thomas Dc Quincev, mirrored images in the poems of Samuel Taylor Coleridge -- and William Wordsworth, and the twice-told -- tale in the novels of Charles Brockden Brown, E. T. A. Hoffmann, and James Hogg. Although -- artists of this period have traditionally been dismissed in discussions of mimesis, Burwick demonstrates that mimetic concepts comprised a major component of the Romantic aesthetic. (Flap text) ISBN 9780271020372 Versand D: 4,50 EUR , [PU:Pennsylvania State University Press,]<

2001, ISBN: 9780271020372

Pennsylvania State University Press, Gebundene Ausgabe, 203 Seiten, Publiziert: 2001-04-01T00:00:01Z, Produktgruppe: Buch, 0.54 kg, Ästhetik, Philosophie, Sozialwissenschaft, Kategorien, … Mehr…

Pennsylvania State University Press, Gebundene Ausgabe, 203 Seiten, Publiziert: 2001-04-01T00:00:01Z, Produktgruppe: Buch, 0.54 kg, Ästhetik, Philosophie, Sozialwissenschaft, Kategorien, Bücher, Englische & Irische Literatur, Europäische Literatur, Regionen & Kulturkreise, Literaturgeschichte & -kritik, Literatur & Fiktion, Geschichte & Kritik, Film, Kunst & Kultur, Fremdsprachige Bücher, Featured Categories, Englische Bücher, 7c9a6c79-19ea-4dea-90da-d7d47042d341_2301, 7c9a6c79-19ea-4dea-90da-d7d47042d341_0, Arborist Merchandising Root, acc906d0-2585-4921-a56f-3ff277850936_4901, acc906d0-2585-4921-a56f-3ff277850936_0, Special Features Stores, Pennsylvania State University Press, 2001<