2003, ISBN: 9780262072410

[PU: Cambrige, London: The MIT Press], XIV, 416 p. Original Cloth with original dust jacket. Lediglich der Schutzumschlag ist leicht berieben und mit minimalen Randläsuren, sonst ein tade… Mehr…

[PU: Cambrige, London: The MIT Press], XIV, 416 p. Original Cloth with original dust jacket. Lediglich der Schutzumschlag ist leicht berieben und mit minimalen Randläsuren, sonst ein tadelloses Exemplar / Only the dust jacket is slightly rubbed and with minimal edge wear, otherwise a pristine copy. - Contents Series Foreword Foreword by Joel Slayton Acknowledgments Chapter 1 Introduction The Science of the Image Immersion Chapter 2 Historic Spaces of Illusion Immersive Image Strategies of the Classical World The Chambre du Cerf in the Papal Palace at Avignon In Rome on Mount Olympus: Baldassare Peruzzi's Sa la del Ie Prospettive Immersion in Biblical Jerusalem: Gaudenzio Ferrari at Sacro Monte Baroque Ceiling Panoramas Viewing with Military Precision: The Birth of the Panorama Barker's Invention: Developing the Space of Illusionistic Landscapes Construction and Function of the Panorama The Panorama: A Controversial Medium circa 1800 The Role of Economics in the International Expansion of the Panorama Chapter 3 The Panorama of the Battle of Sedan: Obedience through Presence The Battle in the Picture The Power of Illusion, Suggestion, and Immersion Anton von Werner: Artist and Power Player Political Objectives The Panorama Stock Exchange With Helmholtz's Knowledge: "Democratic Perspective" versus "Soldiers' Immersion" Strategy and Work of the Panoramist L'Art Industriel The Rotunda Chapter 4 Intermedia Stages of Virtual Reality in the Twentieth Century: Art as Inspiration of Evolving Media Monet's Water Lilies Panorama in Giverny Prampolini's Futurist Polydimensional Scenospace Film: Visions of Extending the Cinema Screen and Beyond Highways and Byways to Virtual Reality: The "Ultimate" Union with the Computer in the Image The Rhetoric of a New Dawn: The Californian Dream Virtual Reality in Its Military and Industrial Context Art and Media Evolution I Chapter 5 Virtual Art—Digital! The Natural Interface Charlotte Davies: Osmose The Suggestive Potential of the Interface Aesthetic Distance The Concept of "The Work" in Processual or Virtual Art Chapter 6 Spaces of Knowledge Knowbotic Research (KR+cF): Dialogue with the Knowbotic South The Virtual Denkraum I: The Home of the Brain (1991) The Virtual Denkraum II: Memory Theater VR by Agnes Hegedues (1997) Ultima Ratio: For a Theater of the Media Exegetes of the Panorama: Benayoun, Shaw, Naimark Mixed Realities Virtual Reality's Dynamic Images The Computer: Handtool or Thinktool? Chapter 7 Telepresence: Art and History of an Idea Telepresence Now! Subhistory of Telepresence "Telepistemological" Implications: Presence and Distance Chapter 8 Evolution Genetic Art: Christa Sommerer and Laurent Mignonneau A-Volve Artful Games: The Evolution of Images A-Life's Party A-Life's Subhistory Transgenic Art Chapter 9 Perspectives References Author Index Subject Index. ISBN 9780262072, DE, [SC: 4.50], gebraucht; gut, gewerbliches Angebot, [GW: 837g], Banküberweisung, Offene Rechnung, PayPal, Internationaler Versand<

2003, ISBN: 9780262072410

[PU: Cambrige, London: The MIT Press], XIV, 416 p. Original Cloth with original dust jacket. Lediglich der Schutzumschlag ist leicht berieben und mit minimalen Randläsuren, sonst ein tade… Mehr…

[PU: Cambrige, London: The MIT Press], XIV, 416 p. Original Cloth with original dust jacket. Lediglich der Schutzumschlag ist leicht berieben und mit minimalen Randläsuren, sonst ein tadelloses Exemplar / Only the dust jacket is slightly rubbed and with minimal edge wear, otherwise a pristine copy. - Contents Series Foreword Foreword by Joel Slayton Acknowledgments Chapter 1 Introduction The Science of the Image Immersion Chapter 2 Historic Spaces of Illusion Immersive Image Strategies of the Classical World The Chambre du Cerf in the Papal Palace at Avignon In Rome on Mount Olympus: Baldassare Peruzzi's Sa la del Ie Prospettive Immersion in Biblical Jerusalem: Gaudenzio Ferrari at Sacro Monte Baroque Ceiling Panoramas Viewing with Military Precision: The Birth of the Panorama Barker's Invention: Developing the Space of Illusionistic Landscapes Construction and Function of the Panorama The Panorama: A Controversial Medium circa 1800 The Role of Economics in the International Expansion of the Panorama Chapter 3 The Panorama of the Battle of Sedan: Obedience through Presence The Battle in the Picture The Power of Illusion, Suggestion, and Immersion Anton von Werner: Artist and Power Player Political Objectives The Panorama Stock Exchange With Helmholtz's Knowledge: "Democratic Perspective" versus "Soldiers' Immersion" Strategy and Work of the Panoramist L'Art Industriel The Rotunda Chapter 4 Intermedia Stages of Virtual Reality in the Twentieth Century: Art as Inspiration of Evolving Media Monet's Water Lilies Panorama in Giverny Prampolini's Futurist Polydimensional Scenospace Film: Visions of Extending the Cinema Screen and Beyond Highways and Byways to Virtual Reality: The "Ultimate" Union with the Computer in the Image The Rhetoric of a New Dawn: The Californian Dream Virtual Reality in Its Military and Industrial Context Art and Media Evolution I Chapter 5 Virtual Art—Digital! The Natural Interface Charlotte Davies: Osmose The Suggestive Potential of the Interface Aesthetic Distance The Concept of "The Work" in Processual or Virtual Art Chapter 6 Spaces of Knowledge Knowbotic Research (KR+cF): Dialogue with the Knowbotic South The Virtual Denkraum I: The Home of the Brain (1991) The Virtual Denkraum II: Memory Theater VR by Agnes Hegedues (1997) Ultima Ratio: For a Theater of the Media Exegetes of the Panorama: Benayoun, Shaw, Naimark Mixed Realities Virtual Reality's Dynamic Images The Computer: Handtool or Thinktool? Chapter 7 Telepresence: Art and History of an Idea Telepresence Now! Subhistory of Telepresence "Telepistemological" Implications: Presence and Distance Chapter 8 Evolution Genetic Art: Christa Sommerer and Laurent Mignonneau A-Volve Artful Games: The Evolution of Images A-Life's Party A-Life's Subhistory Transgenic Art Chapter 9 Perspectives References Author Index Subject Index. ISBN 9780262072, DE, [SC: 9.00], gebraucht; gut, gewerbliches Angebot, [GW: 837g], Banküberweisung, Offene Rechnung, PayPal, Internationaler Versand<

2003, ISBN: 0262072416

[EAN: 9780262072410], Gebraucht, sehr guter Zustand, [PU: Cambrige, London: The MIT Press], Jacket, XIV, 416 p. Lediglich der Schutzumschlag ist leicht berieben und mit minimalen Randläsu… Mehr…

[EAN: 9780262072410], Gebraucht, sehr guter Zustand, [PU: Cambrige, London: The MIT Press], Jacket, XIV, 416 p. Lediglich der Schutzumschlag ist leicht berieben und mit minimalen Randläsuren, sonst ein tadelloses Exemplar / Only the dust jacket is slightly rubbed and with minimal edge wear, otherwise a pristine copy. - Contents Series Foreword Foreword by Joel Slayton Acknowledgments Chapter 1 Introduction The Science of the Image Immersion Chapter 2 Historic Spaces of Illusion Immersive Image Strategies of the Classical World The Chambre du Cerf in the Papal Palace at Avignon In Rome on Mount Olympus: Baldassare Peruzzi's Sa la del Ie Prospettive Immersion in Biblical Jerusalem: Gaudenzio Ferrari at Sacro Monte Baroque Ceiling Panoramas Viewing with Military Precision: The Birth of the Panorama Barker's Invention: Developing the Space of Illusionistic Landscapes Construction and Function of the Panorama The Panorama: A Controversial Medium circa 1800 The Role of Economics in the International Expansion of the Panorama Chapter 3 The Panorama of the Battle of Sedan: Obedience through Presence The Battle in the Picture The Power of Illusion, Suggestion, and Immersion Anton von Werner: Artist and Power Player Political Objectives The Panorama Stock Exchange With Helmholtz's Knowledge: "Democratic Perspective" versus "Soldiers' Immersion" Strategy and Work of the Panoramist L'Art Industriel The Rotunda Chapter 4 Intermedia Stages of Virtual Reality in the Twentieth Century: Art as Inspiration of Evolving Media Monet's Water Lilies Panorama in Giverny Prampolini's Futurist Polydimensional Scenospace Film: Visions of Extending the Cinema Screen and Beyond Highways and Byways to Virtual Reality: The "Ultimate" Union with the Computer in the Image The Rhetoric of a New Dawn: The Californian Dream Virtual Reality in Its Military and Industrial Context Art and Media Evolution I Chapter 5 Virtual Art—Digital! The Natural Interface Charlotte Davies: Osmose The Suggestive Potential of the Interface Aesthetic Distance The Concept of "The Work" in Processual or Virtual Art Chapter 6 Spaces of Knowledge Knowbotic Research (KR+cF): Dialogue with the Knowbotic South The Virtual Denkraum I: The Home of the Brain (1991) The Virtual Denkraum II: Memory Theater VR by Agnes Hegedues (1997) Ultima Ratio: For a Theater of the Media Exegetes of the Panorama: Benayoun, Shaw, Naimark Mixed Realities Virtual Reality's Dynamic Images The Computer: Handtool or Thinktool? Chapter 7 Telepresence: Art and History of an Idea Telepresence Now! Subhistory of Telepresence "Telepistemological" Implications: Presence and Distance Chapter 8 Evolution Genetic Art: Christa Sommerer and Laurent Mignonneau A-Volve Artful Games: The Evolution of Images A-Life's Party A-Life's Subhistory Transgenic Art Chapter 9 Perspectives References Author Index Subject Index. ISBN 9780262072410 Sprache: Englisch Gewicht in Gramm: 837 Original Cloth with original dust jacket., Books<