1984, ISBN: 9780195033946

Gebundene Ausgabe

Oxford University Press, 1984. First Printing. Hardcover. Very good. Light shelf wear on bright red dustjacket & mild sun fading along spine. Slightly tanned pages, no marks or wri… Mehr…

Oxford University Press, 1984. First Printing. Hardcover. Very good. Light shelf wear on bright red dustjacket & mild sun fading along spine. Slightly tanned pages, no marks or writing. Book Description\nA remarkable continuation of Dudley Andrew's classic, The Major Film Theories, this work focuses on the key concepts in film study: perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with a lucid introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. By providing lively explanations of theories that involve perceptual psychology and structuralism, semiotics and psychoanalysis, hermeneutics and genre study, Andrew offers unique observations on these often obscure topics, allowing readers to acquire the background they need to enrich their understanding of film--and of art. --This text refers to the Paperback edition., Oxford University Press, 1984, 3<

1984, ISBN: 9780195033946

Gebundene Ausgabe

Hardcover, Light shelf wear on bright red dustjacket & mild sun fading along spine. Slightly tanned pages, no marks or writing., Gebraucht, sehr guter Zustand, [ED: 1], Entertainment, Tel… Mehr…

Hardcover, Light shelf wear on bright red dustjacket & mild sun fading along spine. Slightly tanned pages, no marks or writing., Gebraucht, sehr guter Zustand, [ED: 1], Entertainment, Television & Movies, Book Description\\nA remarkable continuation of Dudley Andrew's classic, The Major Film Theories, this work focuses on the key concepts in film study: perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with a lucid introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. By providing lively explanations of theories that involve perceptual psychology and structuralism, semiotics and psychoanalysis, hermeneutics and genre study, Andrew offers unique observations on these often obscure topics, allowing readers to acquire the background they need to enrich their understanding of film--and of art. --This text refers to the Paperback edition, [PU: Oxford University Press]<

1984, ISBN: 0195033949

Gebundene Ausgabe

[EAN: 9780195033946], Gebraucht, sehr guter Zustand, [PU: Oxford University Press], Jacket, First edition, first printing. Text is unmarked; pages are bright, though the page edges are li… Mehr…

[EAN: 9780195033946], Gebraucht, sehr guter Zustand, [PU: Oxford University Press], Jacket, First edition, first printing. Text is unmarked; pages are bright, though the page edges are lightly age toned. Binding is very slightly cocked. Dust jacket shows some light edgewear. 239pp., Books<